Notable Architects in St. Petersburg


James Baldwin

Howard Lovewell Cheney

Col. Harry F. Cunningham

Lawrence Murray Dixon

Henry Dupont

M. Leo Elliott

George Feltham

Edgar Felton

Alfred Lowther Forrest

William Ittner

Glenn Q. Johnson

Frank Jonsberg

Phillip Kennard

Richard Kiehnel

Addison Mizner

Russell Thorn Pancoast

Archie Parish

Peter Perkins

Neel Reid

George Stuart

Henry Taylor

 

 


James Baldwin

Architect for First United Methodist Church, Baldwin was bom in 1888 at Ridge Spring, South Carolina. He graduated from the University of South Carolina in 1904, and then received architectural training in New York City. In 1905 he was employed by Milburn Heister and Company of Washington, D.C. as a draftsman. While there, he was responsible for work on a railroad station, several courthouses, office buildings and banks. In 1909 he joined the firm of Reuben H. Hunt of Chattanooga, Tennessee.

From 1910 to 1914 he worked in partnership with Christopher Gadsden Sayre, AIA in Anderson, South Carolina. His work included National Register (NR) courthouses in the Georgia counties of Bleckley, Lee, Atkinson and Barrow as well as the Cherokee County Courthouse in North Carolina. He was architect of the Calhoun Hotel in Anderson, South Carolina (NR), the First Baptist Church in Tampa; the Community Methodist Church in Daytona Beach; high schools in Greer and Gafney, South Carolina; the Girls' High School and Calhoun School, both at Anderson South Carolina. He was also the architect of the Chestnut Street Methodist Church in Asheville, North Carolina. He maintained an office in Anderson, South Carolina until 1955.

 

Howard Lovewell Cheney

Architect for the First Church of Christ, Scientist (253 5th Avenue North), Cheney was born in Chicago in 1889 and educated at the Armour (Ill) Institute of Technology and the University of Illinois. Licensed as both an architect and an engineer, he was in private practice for most of his professional career. Cheney did work for the Public Buildings Branch of the Treasury Department from 1934 to 1942, and for the University of Illinois from 1938 to 1940 and again from 1946 to 1948. In addition to the Federal Building in Gary, Indiana, Cheney designed Federal Buildings in Peoria (Ill) and New Orleans, the Federal Building and Court of Peace for the 1939 World’s Fair and National Airport in Arlington, Virginia. Cheney was also supervising architect for the construction of the Chicago Tribune Tower in Chicago.

Col. Harry F. Cunningham

Most noted locally for his design of the Dennis-McCarthy Hotel, Harry Cunningham was born in Washington, D.C., April 15, 1885. He attended George Washington University, Worcester Polytechnic Institute, and the Ecole des Beaux Arts in Paris. In 1907 he joined the firm of Wood, Donn and Deming, supervising architects of the U.S. Treasury Department. He enlisted for military service with the U.S. Army May 13, 1917 and remained in France after the Armistice to develop reconstruction plans for seventeen villages and one city. After returning to Washington in 1923, he designed a number of houses and apartment buildings including The Burning Tree Golf Club. Cunningham was a professor of architecture 1923-24 at George Washington University.

Cunningham came to St. Petersburg in late 1924, shortly after joining noted architect Bertram Goodhue’s firm in New York as a partner. Goodhue was one of the leaders of American architecture who sought to create a new national style based on Beaux Arts methods. His work greatly influenced 1920s and 1930s skyscraper designs and helped lead the way to the development of the Moderne and Art Deco styles of architecture. Cunningham's major work for 1924 was the design of the Dennis Hotel. Shortly after Cunningham completed the design of the Dennis Hotel, the Goodhue died unexpectedly on April 24, 1924, before completing the design of his largest commission, the

Nebraska State Capitol. Cunningham was selected to complete the tower and interior designs for the Nebraska Capitol and left for New York, leaving local architect Frank Jonsberg in charge of the Dennis-McCarthy Hotel project.

Cunningham returned to St. Petersburg for the winter of 1925-1926. He was elected president of the Florida Chapter of the AIA. His major works that winter were the Mediterranean Revival style Lakewood Elementary School and the Mediterranean Revival style Salvation Army Citadel.

The winter of 1926-1927 was Cunningham's last in St. Petersburg. In the spring of 1926 Cunningham had designed several model homes in the new Lakewood Estates subdivision. His major commission this winter was the St. Petersburg Times Building. The plans and elevations of the Times Building show a 22-story Moderne style tower, closely resembling the Nebraska State Capitol, flanked by a pair of eight-story wings. Only one wing was built in 1927 with a facade similar to the Dennis-McCarthy Hotel. The bulk of Cunningham’s commissions in St. Petersburg were in the Mediterranean Revival style. All of his local works, regardless of their style, show the same trends: elimination of ornament, simplification of massing, and the use of symmetry and repetition of basic geometric elements. His austere approach to the Mediterranean Revival style was a marked contrast with the approach taken by other architects in this area.

Cunningham maintained an office in St. Petersburg through 1928, but lived full time in New York until returning to Washington in 1935, where he designed the award-winning Brazilian Embassy in 1935, and the Heatherington Apartments in 1936. He retired from architecture in 1939.

 

Lawrence Murray Dixon

Born in Live Oak Florida in 1901, Dixon would design at least two houses on Snell Isle’s Brightwaters Boulevard in the 1930s (430 and 431). Dixon attended but did not complete his education at Georgia Tech, eventually going to work in New York with the renown firm of Schultze and Weaver which designed many of South Florida’s grandest hotels including the Biltmore in Coral Gables and the Breakers in Palm Beach.

After leaving the firm in 1929 and settling permanently with his family in Miami, Dixon’s architectural signature evolved from neoclassicism to Art Deco and Art Moderne in the mid 1930s; his vast design output would forever shape Miami Beach in the distinctive style for which it is so famous today. He was one of a group of American-born architects working in Miami Beach who synthesized the austere architectural principles of the International Style with their own brand of modernism which embraced the ornamentation and exotic lure of tropical Miami Beach. These architects included Henry Hohauser (1895-1963), Roy France (1888-1972), Albert Anis (1889-1964). Also Robert Law Weed (1897-1961) and Russell Pancoast (1898-1972), and John Llewellyn Skinner (1893-1967). European architects would include Morris Lapidus and Richard Kiehnel and Igor Polevitsky.

Dixon was the most prolific Miami Beach designer between 1933 and 1942 involving all types of commercial and residential buildings from the smallest house to the most lavish oceanfront hotel. In 1947, he wrote that "over $11 million in building construction has been erected from my architectural services" and officially listed 38 hotels, 87 apartment buildings, 220 individual residences, two housing developments and 33 store buildings.

 

Henry Dupont

Dupont was born in 1870, the son of Aristide and Mary M. Dupont. His schooling and architectural training are unknown, although Harold Anderson, who worked in his St. Petersburg office in the 1920s, says Dupont was trained at the Ecole des Beaux Arts in Paris. DuPont started his career in Indianapolis where he was secretary and treasurer of the local affiliation of the American Institute of Architects. Having wintered frequently in the city and prepared designs for buildings such as the Veillard House, Dupont moved to St. Petersburg full time in 1914 to embark on an active career. During World War I Dupont was employed by the government in Key West where he assisted in building an Army air base. He also designed the submarine base for the Navy at Key West.

During the 1920s, Henry Dupont designed some of St. Petersburg’s larger buildings and many houses. His work was never as prolific as some firms in the area, because he kept a small office with only three or four draftsmen and did all of his own mechanical and electrical design. His most important work in this area was the Don Cesar Hotel on St. Pete Beach in the mid-1920s. After initial plans developer Thomas Rowe fired Dupont because the hotel was "too plain." The project was finished by Carlton Beard and Thomas Rowe. Dupont also designed the Casa de Muchas Flores, built on the water side of Park Street in the "Jungle" area of west St. Petersburg.

 

M. Leo Elliott

Elliott was born in 1886 in Woodstock, New York. He attended Cooper's Institute in New York City and received training at the New York City firm of Welch, Smith & Provost. Early in his career he helped design buildings for the Jamestown Exposition of 1907 in Norfolk, Virginia. At the age of 21, he moved to Tampa and formed a partnership with Bayard C. Bonfoey. They designed the Tampa YMCA (1909), Centro Asturiano (1914) and Tampa City Hall (1915).

The partnership was dissolved in 1917 and he then created the firm of M. Leo Elliott, Inc., Architects and Engineers. Elliott then designed the Italian Club (1917) and Cuban Club (1918) in Ybor City. In 1925, the firm was doing projects all over Florida, maintaining a St. Petersburg office. Carl Atkinson Sr. was manager of St. Petersburg office during the 1920s. During the peak of the land boom, the firm employed six structural engineers, forty-six draftsmen, and seventeen site inspectors. One of the firm’s major projects in St. Petersburg includes the 1926 Ninth Street Bank and Trust designed in the Neoclassical Revival style.

Many of Elliott's notable projects in Tampa designed during this era remain on Davis Island, in downtown Tampa and Temple Terrace. Other important buildings in Tampa designed by Elliott include the Masonic Temple, the Scottish Rite Temple and the First National Bank. He also designed Sarasota High School. In 1946 the firm became Elliott & Fletcher. Elliott retired from practice in 1954 and died on August 18, 1967.

 

George Feltham

George Feltham was born in 1874 in Shefuel, Shropshire, England. The son of George and Mary Feltham, George Feltham came from a long line of architects. He came to the United States and studied architecture in Atlanta, Georgia under DeWitt Bruen. George Feltham started his practice in Savannah designing estates for winter residents in Thomasville, Georgia. Coming to Florida in 1895, he first lived in Ocala, where he was associated in a business with McIver and Kevin McKay. Feltham eventually moved to St. Petersburg in 1913.

After a brief partnership with Edgar Ferdon, AIA, with offices in the American Bank & Trust Co., building, Feltham established his own office in 1918. Between 1925 and 1927, his office was located at the Green-Richman Arcade, which he designed. Among the many other buildings Feltham designed in St. Petersburg between 1913 and his death in 1927 are the Ponce de Leon Hotel, Lantern Lane Apartments, Palais Royale, Sunset Hotel, Elks Club, Mark Dundee Hotel, Hotel Miller, Lakeview Apartments, New Hunt Apartments and the First Baptist Church. Feltham died in St. Petersburg, on May 9, 1927.

 

Edgar Ferdon

Edgar Ferdon was born in Englewood, New York in 1869. He visited the St. Petersburg area in the 1890s, most likely to visit his father, who lived in the city. In 1892, although not a permanent resident, Ferdon designed the Chautauqua Villa, the first house to be built on the north side of the city (at the northeast comer of First Avenue and Second Street). He moved to the City permanently in 1903 from Summit, New Jersey to become a permanent resident and was probably St. Petersburg’s first professional architect, locating his office at 319 Central Avenue.

Edgar Ferdon had an important impact on Downtown St. Petersburg and the rest of the City in the first three decades of the twentieth century. Ferdon designed several important buildings in the City including the American Bank and Trust Building in the 300 block of Central Avenue, where his office was located, First National Bank (Florida Bank and Trust) in the 400 block of Central Avenue, the Crislip Arcade at 645 Central Avenue, the Rex (Cameo) Theater at 169 Central Avenue, Harrison Hardware Building and the First Congregational Church. Among these buildings only the Crislip Arcade and First Congregational Church remain – and only the Church is a designated historic landmark. Ferdon also designed the American Maid Ice Cream Building located south of downtown on Salt Creek.

Ferdon was also associated for several years in the mid 1910s with noted local architect George Feltham, who would later design the Green-Richman Arcade, the Ponce de Leon Hotel and First Baptist Church, all locally designated historic landmarks. During the 1920s, Ferdon designed many attractive residences on Snell Isle and in the Old Northeast area, while also designing commercial buildings. During the peak of his career in St. Petersburg, Ferdon lived with his wife Florence and their four sons in their home on Tangerine Avenue South near Ninth Street. Ferdon died from a stroke on May 2, 1932, at his home at 2345-1/2 First Avenue North in Historic Kenwood.

 

Alfred Lowther Forrest

Forrest was the consulting architect for the Municipal Utilities Building (now City Hall) which was built during the Depression under a Works Project Administration grant. Born in London in 1859, Forrest was a student in the Kensington Art Schools of London and during the period served as an apprentice in the office of noted church architect, Charles Inness. After his graduation he entered the offices of Edward L’Anson, at the time President of the Royal Institute of British Architects and Institution of Surveyors. Forrest later moved to Boston where he worked for the firm Blackhall and Newton, then moving first to New York City and afterwards Baltimore.

In Baltimore he was first associated with the firm of Baldwin and Pennington, one of the most prestigious architectural firms in the country. In 1908 Forrest opened his own practice and built the Macht Building in Baltimore, a local register landmark in a National Register district. Other buildings in Baltimore designed by Forrest include the 1921 Purnell Art Company in the Cathedral Hill National Register District, the New and Victoria theaters. He also designed the opera houses in Winchester, Virginia and Staten Island. Forrest moved to St. Petersburg in 1936 after a long career in the north and designed the Municipal Utilities Building at the age of 80. He died in Largo in 1951.

 

William Ittner

Designer of the Tomlinson Center and Mirror Lake High School on Mirror Lake and St. Petersburg Central High School, William Butts Ittner was a nationally recognized architect of education facilities. Born in St. Louis, September 4, 1864, he received his early education in the public schools of the city, graduated from the Manual Training School of Washington University, and graduated from Cornell University’s architecture program in 1887.

Ittner began his career in 1888 by entering the office of the architectural firm of Eames & Young of St. Louis and remained a year before establishing an office of his own. He maintained his office until 1897 when he became Commissioner of School Buildings for St. Louis, serving in that capacity until March 1910, when he was selected Architect of the Board of Education. He designed all the public school buildings of the City of St. Louis during this time, including the McKinley, Soldan, Yeatman, Sumner and Cleveland High Schools and the Harris Teachers' College. His school architecture, owing to its plan efficiency and beauty of design, brought him national and international recognition, and he had to his credit some five hundred schools in 115 communities and twenty-nine states.

He was architect for many notable buildings in St. Louis for other than school use, such as the Scottish Rite Cathedral; the St. Louis Unit of the Shriners' Hospital for Crippled Children; Neighborhood Association, St. Louis' first settlement house; two buildings for the Central Institute for the Deaf; and the Continental Life Insurance Building, a twenty-three story office building on Olive at Grand. He was a member and vice-president of the St. Louis Plaza Commission, which expended $16,000,000 of the $87,000,000 bond issue voted in 1923 for city buildings and improvements.

His work brought him several awards. The American Institute of Architects elected him to Fellowship and a medal was presented him for marked and worthy achievement in the design and construction of school buildings by the St. Louis Chapter of the Institute. He served as a member of the Board of Directors of the American Institute of Architects and in other official capacities. He was President of the St. Louis Architectural Club in 1897-90 and President of the Architectural League of America in 1903-04. And he was also a life member of the National Educational Association.

 

Glenn Q. Johnson

Born in Chicago, Johnson (1909-1999) was was responsible for many of St. Petersburg’s modern masterpieces including the Pinellas County Judicial Center (one of the city’s only examples of the Brutalist architectural style), the St. Pete Beach Library, the Snell Isle Shopping Center, North Shore Pool and the Sebring Building. He also designed about a dozen schools, including Gibbs High and Azalea Middle School in St. Petersburg, Oak Grove Middle School in Clearwater and Oakhurst Elementary in Largo.

Johnson received his education at Crane College, Armour Institute of Technology and Atelier Nelson. During the Second World War, Johnson was the director of a division of Douglas Aircraft, a major supplier of war materiel. In 1952, he came to St. Petersburg and joined George Ely as a land developer, and it is with Ely that Johnson developed his locally-famous "Bird Cage" homes along Pinellas Point Drive and 69th Avenue South. The homes were built with the main living areas on the second floor and the bedroom and bathroom on the ground floor. The porches on both floors were tied together with floor-to-ceiling screens to allow outdoor living free of insects. Johnson oriented the homes to the southeast to catch the sun in the winter and to take advantage of cross ventilation which was aided by jalousie windows. Bedrooms also had wooden jalousies to allow ventilation as did closet doors.

 

Frank Jonsberg

Jonsberg was the supervising architect for Princess Martha Hotel for Boston firm of James H. Ritchie and Associates. Though retiring to St. Petersburg in 1918, Jonsberg was a partner with the firm, having joined it when it was founded in 1909. Mason asked Jonsberg to take the project when the first architect hired for the project was fired. The Boston office of the firm did the design work, including the interior decoration, and produced the finished plans and specifications. Jonsberg was also involved in the design of the St. Petersburg Woman's Club and the Dennis-McCarthy Hotel. Jonsberg's other local projects include the 1925 Fifth Avenue Baptist Church and is credited with assisting Henry L. Taylor with the design of the Jungle Country Club Hotel.

 

Phillip Kennard

Born in Orlando on December 29, 1890, Kennard worked as an architect with his father in the firm of Francis J. Kennard and Son located in Tampa. The firm was responsible for the design of West Coast Title Company headquarters (now the Municipal Services Building) in downtown St. Petersburg in 1926. In an article announcing the opening of the building the St. Petersburg Times noted the firm’s 35 years of experience and lauded them as "pioneer architects of the west coast of Florida."

In 1938 Philip Kennard established an independent architectural practice in downtown St. Petersburg at 302 Central Avenue. Among the projects he designed in the 1930s and 1940s are the Carleve Hotel and Nautical Apartments in downtown and the Royal Theater. During the mid-1950s he was the architect for numerous schools for Pinellas County. Among these were Northeast High School, Boca Ciega High School, 74th Street Elementary School and 16th Street Junior High School. He died in St. Petersburg on September 18, 1956 and is buried at the Royal Palm Cemetery.

 

Richard Kiehnel

Kiehnel (1870-1944) was a German-born architect who designed the Snell Arcade. Called the "Father of Miami’s Distinctive Architecture," Kiehnel is credited with introducing the Mediterranean Revival style to Florida through his design of El Jardin (National Register) in Miami in 1917. Designing the mansion for a Pittsburgh steel tycoon, Kiehnel departed from the Mission style that had only recently made its appearance in Florida in Homestead’s 1914 Public School and wrought an elaborate antiquity into the house using aging techniques to get the desired effect. Kiehnel would elevate Pinellas County’s association with Mediterranean Revival through his designs of the Rolyat Hotel in Gulfport (now Stetson College of Law) and the Snell Arcade in St. Petersburg.

Kiehnel would collaborate with his partner John Elliot in the firm Kiehnel and Elliot in designing Mediterranean Revival buildings in Coral Gables and Art Moderne buildings in South Florida, especially Miami Beach during the 1920s and 1930s. Some of the latter include the Carlyle Hotel on Miami Beach, the 1924 Scottish Rite Masonic Temple on the Miami River (thought to be the first Art Deco building in area. He also designed the Annie Russell Theater, a Romanesque Revival on the campus of Rollins College in Winter Park, which is listed on the National Register of Historic Places.

 

Addison Mizner

The"world famous architect" was responsible for the design of one home on the west coast of Florida – the Casa Coe da Sol in St. Petersburg. During the 1920s Addison Mizner was known for a distinctive interpretation of Spanish architecture. Brought to Palm Beach from New York in 1918 as the guest of Paris Singer (heir to the Singer Sewing Machine fortune), Mizner spurned the northern architectural styles he found in Palm Beach and turned to an architectural style he thought suitable for the tropical setting of Florida. He, with the financial support of Singer, introduced the architecture which would eventually become synonymous with the rich of South Florida in the 1920's - the Mediterranean Revival style. Placing emphasis on flat, simple surfaces with rhythmic but random window placement, asymmetrical plans, loggias, and an integration of exterior design and interior decoration, Mizner designed such Palm Beach landmarks as the Everglades Club (1918), Via Mizner (1924) and the Embassy Club (1928) (now the Society of the Four Arts).

Mizner's acquaintance with Spanish sixteenth and seventeenth century design came at the early age of seventeen when his father served as a United States ambassador in Central America. Three years later Mizner attended the University of Salamanca in Spain. The red tile roofs, towers and arcaded entrances and windows incorporated in his architectural designs recreated the atmosphere that Mizner came to know and love during his youth. Mizner, unlike most of his contemporaries, went one step further in designing in the Spanish mode in Florida. Due to the World War I shipping embargo and the unacceptable quality of American made roof tile, Mizner decided to manufacture his own roof and floor tiles and also to produce ironwork and furniture. In 1918 with help from Paris Singer, he started the firm "Las Manos" (handcrafted) in West Palm Beach. Mizner eventually bought out Singer's share in the company and later renamed Las Manos, Mizner Industries, Incorporated. Over the years and due to its continuous success, his industry expanded - light fixtures, pottery and stone detailing were also produced. He even created his own "antiques" by purposely cracking stonework and rusting wrought iron.

 

Russell Thorn Pancoast

Architect and grandson of Miami Beach mogul John A Collins, Pancoast (1898 - 1972) designed at least three buildings in St. Petersburg, 222, 415 and 831 Brightwaters Blvd on Snell Isle. He also designed the Miami Beach Library and Art Center (now the Bass Museum of Art) considered by many to be the city’s first Art Deco building on the island. Along with L. Murray Dixon and other notable architects, Pancoast would help shape the architectually exotic Art Deco landscape of Miami Beach. Pancoast also designed buildings on the University of Florida campus including The Hub (1950).

 

Archie Parish

Responsible for designing the Downtown St. Petersburg YMCA, Parish studied at the Dunwoody Institute School of Design and then attended extension courses at the University of Minnesota. Although the design is attributed to the firm Woolpert & Brown, whose Clarence Brown was a professor of Parish’s at University of Minnesota, the Mediterranean Revival style building was Parish's first major assignment after he arrived here in 1924 followed soon after by the YMCA. The firm only operated in St. Petersburg for 1925 & 1926. In 1927 R. Myran Woolpert left St. Petersburg, but Clarence J. Brown remained, and in 1929 the firm of Brown and Parish was formed. Brown and Parish work together until 1933 when Clarence J. Brown moved from St. Petersburg.

Parish career would span several decades. He designed the administration building for St. Petersburg Junior College on 5th Avenue North and 66th Street North and was associate architect on the Jordan Park Housing Project. Other projects to bear his stamp were the nurses home at Mound Park Hospital (now Bayfront Medical Center), Christ United Methodist Church (467 First Avenue N) and the First Presbyterian Church (701 Beach Dr. NE). He also worked on additions to the St. Petersburg Shuffleboard Court in the 1940s and designed the 1950 addition to the YWCA building located at 653 Second Avenue South. Mr. Parish was a fellow of the American Institute of Architects and a president of the Florida State Board of Architects.

 

Peter Perkins

Designer of the remodeled Trinity Presbyterian Church (now Happy Workers Day Care) in 1948, Perkins was a prominent Affican American contractor. He also built the additions to the Fannye A. Ponder Council House in 1952 and was called upon in the late 1940s to provide instruction in carpentry at Gibbs High School. There he directed the building of vocational buildings and a gymnasium-auditorium for school and community use. Originally from Bainbridge, Georgia, he lived in St. Petersburg for 57 years. He died in 1980.

 

Neel Reid

Designer of the Alexander Hotel and Alexander Bank (now State Theater), Reid was born in Alabama in 1885, but moved with his family to Macon, Georgia in 1903. After graduating from high school, Reid apprenticed with Atlanta architect Willis F. Denny. From 1905-1906, he attended Columbia University’s School of Architecture in New York and spent a short time in Paris at the Ecole de Beaux Arts. Reid returned to New York in late 1907 where he worked as a draftsman in the architectural offices of Dane and Murphy. In 1909 he returned to Atlanta where he would spend he rest of his career and opened an office with Hal Hentz, whom he met while working for Denny, and Godfrey L. Norman, a Swedish-born architect with an established practice in Atlanta. After Norman’s death, the firm was joined by Rudolph Adler and operated under the name of Hentz, Reid and Adler until Reid’s death in 1926.

Reid is claimed to have been one of the best exponents of eclectic and revival architecture in the South during the first two decades of the twentieth century. Although the bulk of Reid’s important work is found in Georgia, particularly around Atlanta, he designed buildings in other states as well including Massachusetts and Oregon. Florida was particularly well represented with at least nineteen structures designed between 1912 and 1926, five in St. Petersburg. Of these, only the Alexander Hotel and the Alexander National Bank remain.

 

George Stuart

Co-designer of the Open Air Post Office, Stuart was born in Glasgow, Scotland on November 26, 1856, before moving to with his family to Geulf, near Toronto, Canada. He was educated at Hellmuth College in London, Ontario and served four years apprenticeship to architects in Toronto. As captain in the 19th Winnipeg Battalion of the Canadian Militia, Stuart fought Sioux and Blackfeet Indians in Canada’s last Indian War and barely survived an arrow wound in the neck. He lived in Winnipeg for four years before moving to Dallas, Texas, then Atlanta, until finally taking up residence in St. Petersburg with his wife Marie Cogdon Stuart. In St. Petersburg, he designed many homes and buildings in the city including the Open-Air Post Office and the St. Petersburg Yacht Club, both built in 1916. He lived at 115 3rd Avenue NE from 1912 to 1919 and at 1803 Beach Drive NE from 1920 until his death in 1937. Stuart was preceded to his grave by both his wife in 1935 and son, who had worked as a draftsman.

 

Henry Taylor

Henry Taylor was born in 1884 and came to St. Petersburg in 1921 with his wife, Gladys, to run the southern branch of the Boston partnership Richey, Parsons, and Taylor. He designed several prominent St. Petersburg buildings including the Vinoy Park Hotel, St. Mary’s Church, Southside Junior High School, The Jungle Hotel (Admiral Farragut), Mercy Hospital, Comfort Station, Jungle Prada and the demolished Florida Theater, which was the first air-conditioned theater in St. Petersburg. In addition, Taylor was chairman of the group of architects who designed Jordan Park, St. Petersburg’s first public housing project. Under the Public Works Administration, he designed and supervised construction of the Bradenton Post Office, a $60,000 school in Yankeetown, and the high school and civic center building at Inverness. In 1940, the Taylors moved to Washington, D.C., where he worked for the Supervising Architect’s Office, Bureau of Public Buildings. He died in Arlington, Virginia in 1958.


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